
Oh that Jamie's commuting blog is so cool and it's not JUST because he features me sometimes . . although I am super-grateful when he does.
On Thursday I was lucky enough to be a guest at the New York Times-hosted special viewing of the Hockney Exhibition, A Bigger Picture at the Royal Academy. In spite of what I had read nothing prepared me for the sheer scale of this show. After 90 minutes wandering peaceably round all 12 rooms of work there was a lasting impression of being in the presence of great and highly contemporary work.
The show was effectly curated by the artist himself, since its conception in 2007. On show there canvases of very English nature: This was Yorkshire that could have been Buckinghamshire or Cambridgeshire. Included where ideas created by watercolours and oils painted on the spot.
Room 12 was my personal favourite with its exciting collection of numerous sketchbooks, his iPad work that is bound to set the heart pounding in terms of how this new medium can be deployed and compelling screen shows of his sketchbook work.
I found an audio cassette at the back of the cupboard yesterday.
A recording off air, from Radio 1 I guess. So straight to iTunes to down load Waltz Darling released in 1989 and took vogue style of dance. Fave track: Something’s Jumpin’ in Your Shirt featuring Lisa Marie.
Picture: Appropriate to the topic
I recently became friends with leading contemporary painter and printmaker Peter Spens and was lucky enough to spend time with him in his studio and Gallery close to Highgate tube!
Additionally, much of Peter’s current work over recent years work brings London to life with breathtaking large-scale views of London and the Thames. When I was with Peter it was exciting to be so close to energetic pieces and see also how he translate this into monoprint.
Full details of the show is here and the address is Cranley Gallery 3 Cranley Gardens London N10 3AA
The last time I saw Leslie Driscoll he had a big smile on his face, was making jokes and at the same time, complaining about the service.
Leslie was perhaps one of the greatest influences on my life.
He touched the hearts of so many people with his wit, charm and congenital desire to introduce kindred spirits to one another.
He passed away in the beginning of this year after a long battle with illness.
We, those kindred spirits, had a farewell and thanksgiving service on on 22 February and later that day repaired to the The Pig's Ear in Old Church Street in Chelsea, as moment away from where he lived. We celebrated, on that grey February day, a life well lived and renewed friendships, one with another!
Last weekend a smaller number of the party journeyed to Sancreed. Sancreed is a small village 10 minutes from from Penzance. We went to pour his ashes in the area close to Sancreed Well, a holy place, a place that Driscoll loved so much. This grey July weekend was suddenly lit with bright afternoon sunshine across Cornish fields and hedgerows. Then we celebrated, again, in a magnificent party hosted by Michael Truscott the lifetime partner of artist John Miller of whom Leslie was also so very, very fond.
Dear Driscoll, God bless you and make his face to shine upon you and give you peace.
I was lucky enough to go to the open of Fragments on Thursday evening at The Circus Gallery in Marylebone High Street.
This exciting show was introduced by curator, artist and stitcher Adriana Paice and poet Ri Pierce-Grove. They gave an enchanting talk about their collaboration. These talented people have created a series of digital textiles which respond to attention by whispering poetry to you as you pass each work. The pieces are very inspiring filling me with the beginnings of an idea for my show in October. THANK YOU BOTH
Full story is here: www.adrianapaice.com
Fragments of the work